ABUSE
Alistair was a
young man who was abused as a small boy by a trusted and beloved uncle.
If he ever permits himself to think about his sexuality, it is as something
shameful and degrading. He has so far discarded the bewildered young
lad he once was, that he speaks of his uncle , now deceased, with the
greatest of affection and respect.
He is unhappy,
unfulfilled and has discarded great chunks of his potential along with
the hurt child he refuses to acknowledge.
Together with
awareness of the physical feelings he experienced, he has repressed
his sexual self.
Together with
the child he used to be, he has discarded his creativity, spontaneity
and sense of fun.
He has a vague
awareness of himself as a bad boy who could get out of control.
He fears he may
be someone who may behave badly; someone who cannot be trusted.
He is afraid to
get close to anyone in case they should find out how wicked and unlovable
he really is.
The righteous
anger which should be directed at the man who abused his trust has been
turned inwards against himself.
He is so afraid
of what he or others may see that he will not look at himself, nor will
he allow anyone else to see the hurt child within.
In therapy, it
is possible to create a safe place where nothing is forbidden.
With a trusted
therapist it is possible to look at the unthinkable without fear of
judgement, rejection or punishment, to rediscover what actually happened.
The next step
after rediscovering the past is re-appraising it.
Amongst many other
techniques, psycho-synthesis could give him the tools he needs to rebuild
himself in a totally acceptable form.
The little boy
he used to be could ask the man he is now for advice on dealing with
just that situation. Between them they could arrive at an understanding
that the little boy was in no way at fault in submitting to the attentions
of an adult he loved and trusted.
The fact that
he experienced some pleasurable sexual feelings was only to be expected.
He was biologically designed to do just that.
The pain he felt
was not a well-deserved punishment for wrong-doing. His anxiety was
a direct result of threats and suggestions made by a man he does not
want to regard as evil.
Because the boy's
experience and feelings are not available to him on a conscious level,
they have the same power to incite fear as the dragon under the bed.
The more he refuses to look, the more he is paralysed by fear.
But the man he
is now can understand that no eight-year-old boy sets out to seduce
an upright adult. He could even explain to his child self that it does
not negate a relationship in which he loved and respected a man who
was often kind to him.
That man also
had a hurt child inside whom he could not control, because he would
not see him. That frightened boy who became an uncle had only one way
of defending himself against the man who earlier abused him. He became
him... and abused his nephew in his turn, thus disowning and destroying
the hurt child within himself.
Once the young
man can appreciate how his uncle was also a damaged person who was doing
his best to cope with feelings he could not understand, he can forgive
him and pity him as he can forgive and pity the child he was himself.
The last step
in reclaiming power to redress the past is to rewrite it. Amongst other
applications, psychodrama is the art of re-enacting unsatisfactory episodes
from the past. How often have we thought of things we wish we had said
when it is too late. Well, through psychodrama, we can go back and say
them.
The strong adult
the young man is now, can go back and enact a scene where he can tell
the uncle that what he was doing was wrong, understandable but unacceptable,
resented, repulsed, but now forgiven.
Psychodrama is
also the art of putting ourselves in someone else's shoes.
By impersonating
the uncle, the young man can gain valuable insight into the thoughts
and feelings that contributed to the event. He can realise that there
was a genuine affection together with the ungovernable urges that drove
an unhappy man.
He does not have
to sacrifice the image of a loving uncle in order to focus on a sad
, confused human being who hated himself for what he was doing, but
did it anyway.
By reclaiming
the past, he accepts reality. He accepts his uncle and most importantly,
he accepts himself.
In an insoluble
dilemma, he did the best he could. |